Psychonaut by Harvey McKay cover art

Psychonaut

Harvey McKay

30s preview

Key
3A · B♭ minor
BPM
124
Open Key
8m
Energy
82/100
Pop
1/100
Length
5:12
Released
2017
Genre
Techno
Loudness
-8.1 dB
Dynamics
18.9 dB
ISRC
GBEPM1701217

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo techno cut, Psychonaut sits in B♭ minor (3A) at 124 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 19 dB). A 2017 production that still circulates in sets. More treble-tilted than 98% of Harvey McKay's catalogue. For programming, treat it as a peak-time weapon.

Tempo:
slower than 90% of Harvey McKay's catalogue
Brightness:
brighter than 87% of Harvey McKay's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy82
Mood50Balanced
Groove80
Acoustic0
Instrumental88
Live7
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
23%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
28%
Upper-mid
570 Hz-2.5 kHz
20%
High
2.5-11 kHz

FAQ

What key is Psychonaut in?

Psychonaut by Harvey McKay is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Psychonaut?

Psychonaut runs at 124 BPM, a club-tempo track.

What mixes well with Psychonaut?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Psychonaut good for peak time?

With energy 82 out of 100 at 124 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 124 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 82/100).

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

More techno

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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