Take Control - Remastered
30s preview
- Key
- 1B · B major
- BPM
- 124
- Open Key
- 6d
- Energy
- 83/100
- Pop
- 0/100
- Length
- 8:19
- Released
- 2021
- Album
- Take Control & Use Me!
- Genre
- Tech House
- Loudness
- -9.2 dB
- Dynamics
- 12.1 dB
- ISRC
- DEH742152298
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Take Control - Matthias Tanzmann Remix Remasteredremix10A · 124
- Take Control - Matthias Tanzmann Remixremix10A · 124
- Take Control - Original Mixoriginal1B · 124
At 124 BPM in B major (1B), Take Control - Remastered is a club-tempo tech house production. Tonally it lands punchy, neutral in mood. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). More underground than 99% of Alex Niggemann's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more treble-tilted than 86% of Alex Niggemann's catalogue
- Energy:
- hotter than 76% of Alex Niggemann's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Take Control - Remastered in?
Take Control - Remastered by Alex Niggemann is in B major, or 1B on the Camelot wheel.
What BPM is Take Control - Remastered?
Take Control - Remastered runs at 124 BPM, a club-tempo track.
What mixes well with Take Control - Remastered?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Take Control - Remastered good for peak time?
With energy 83 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 124 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 83/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More tech house
More from Alex Niggemann
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
