You're In My System - Dennis Quin Instrumental Club Mix
- BPM
- 123
- Open Key
- 6m
- Energy
- 93/100
- Pop
- 0/100
- Length
- 5:26
- Released
- 2019
- Album
- You're in My System (Dennis Quin Remixes)
- Genre
- Deep House
- Loudness
- -5.4 dB
- ISRC
- USPXA1900036
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- You're In My System - Dennis Quin Atmospheric Dub Mixversion1B · 123
- You're in My System - Dennis Quin Club Mixversion1A · 123
- You're in My System - Dennis Quin Vocal Mixoriginal2B · 123
Against the original (2B at 123 BPM), this version holds the same tempo and moves the key from 2B to 1A.
You're In My System - Dennis Quin Instrumental Club Mix runs 123 BPM in A♭ minor (1A), a club-tempo deep house record. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. More underground than 99% of Kerri Chandler's catalogue. In a set it works best as a floor-filler.
- Energy:
- hotter than 89% of Kerri Chandler's catalogue
- Tempo:
- slower than 84% of Kerri Chandler's catalogue
- Groove:
- groovier than 81% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is You're In My System - Dennis Quin Instrumental Club Mix in?
You're In My System - Dennis Quin Instrumental Club Mix by Kerri Chandler is in A♭ minor, or 1A on the Camelot wheel.
What BPM is You're In My System - Dennis Quin Instrumental Club Mix?
You're In My System - Dennis Quin Instrumental Club Mix runs at 123 BPM, a club-tempo track.
What mixes well with You're In My System - Dennis Quin Instrumental Club Mix?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is You're In My System - Dennis Quin Instrumental Club Mix good for peak time?
With energy 93 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
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How to mix it
In 1A at 123 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More deep house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.