Heard It All Before - Scott Diaz Extended Remix by Low Steppa cover art

Heard It All Before - Scott Diaz Extended Remix

Low Steppa

30s preview

Key
3A · B♭ minor
BPM
123
Open Key
8m
Energy
93/100
Pop
1/100
Length
6:32
Released
2019
Album
Heard It All Before (Remixes, Pt. 2)
Genre
House
Loudness
-5.6 dB
Dynamics
13.9 dB
ISRC
NLF711900012

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (2B at 123 BPM), this version holds the same tempo and moves the key from 2B to 3A.

Heard It All Before - Scott Diaz Extended Remix: club-tempo house, B♭ minor (3A), 123 BPM. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. It is vocal-led. The master keeps unusual dynamic range for club music (crest 14 dB). More treble-tilted than 95% of Low Steppa's catalogue. In a set it works best as a floor-filler.

Brightness:
brighter than 93% of Low Steppa's catalogue
Tempo:
slower than 91% of Low Steppa's catalogue
Groove:
groovier than 81% of Low Steppa's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy93
Mood83Bright
Groove81
Acoustic0
Instrumental20
Live4
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
29%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
21%
High
2.5-11 kHz

FAQ

What key is Heard It All Before - Scott Diaz Extended Remix in?

Heard It All Before - Scott Diaz Extended Remix by Low Steppa is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Heard It All Before - Scott Diaz Extended Remix?

Heard It All Before - Scott Diaz Extended Remix runs at 123 BPM, a club-tempo track.

What mixes well with Heard It All Before - Scott Diaz Extended Remix?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Heard It All Before - Scott Diaz Extended Remix good for peak time?

With energy 93 out of 100 at 123 BPM, it works best as a floor-filler.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 123 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

More house

More from Low Steppa

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track