Sunshine & Twilight
30s preview
- Key
- 8B · C major
- BPM
- 125
- Open Key
- 1d
- Energy
- 76/100
- Pop
- 4/100
- Length
- 6:42
- Released
- 2005
- Genre
- Deep House
- Loudness
- -10.4 dB
- Dynamics
- 13.8 dB
- ISRC
- USA670602475
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo deep house cut, Sunshine & Twilight sits in C major (8B) at 125 BPM. Tonally it lands bright and euphoric. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2005 production that still circulates in sets. Less groove-driven than 94% of Kerri Chandler's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 87% of Kerri Chandler's catalogue
- Low end:
- more treble-tilted than 87% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Sunshine & Twilight in?
Sunshine & Twilight by Kerri Chandler is in C major, or 8B on the Camelot wheel.
What BPM is Sunshine & Twilight?
Sunshine & Twilight runs at 125 BPM, a club-tempo track.
What mixes well with Sunshine & Twilight?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Sunshine & Twilight good for peak time?
With energy 76 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 125 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 76/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More deep house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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