I'm Not Defeated, Pt. II - Honey Dijon's Fiercely Furious Dub
30s preview
- BPM
- 125
- Open Key
- 3m
- Energy
- 76/100
- Pop
- 2/100
- Length
- 6:41
- Released
- 2019
- Album
- I'm Not Defeated, Pt. II (Honey Dijon's Fiercely Furious Dub)
- Genre
- House
- Loudness
- -5.7 dB
- Dynamics
- 9.9 dB
- ISRC
- GBCPZ1915185
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- I'm Not Defeated, Pt. II - Honey Dijon's Undefeated Dubversion10A · 125
I'm Not Defeated, Pt. II - Honey Dijon's Fiercely Furious Dub runs 125 BPM in B minor (10A), a club-tempo house record. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Darker than 79% of Honey Dijon's catalogue.
- Low end:
- more bass-heavy than 78% of Honey Dijon's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is I'm Not Defeated, Pt. II - Honey Dijon's Fiercely Furious Dub in?
I'm Not Defeated, Pt. II - Honey Dijon's Fiercely Furious Dub by Honey Dijon is in B minor, or 10A on the Camelot wheel.
What BPM is I'm Not Defeated, Pt. II - Honey Dijon's Fiercely Furious Dub?
I'm Not Defeated, Pt. II - Honey Dijon's Fiercely Furious Dub runs at 125 BPM, a club-tempo track.
What mixes well with I'm Not Defeated, Pt. II - Honey Dijon's Fiercely Furious Dub?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is I'm Not Defeated, Pt. II - Honey Dijon's Fiercely Furious Dub good for peak time?
With energy 76 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 125 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 76/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Honey Dijon
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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