
Powder - The Late Night Dub
- BPM
- 126
- Open Key
- 8d
- Energy
- 80/100
- Pop
- 0/100
- Length
- 6:38
- Released
- 1999
- Album
- Powder
- Genre
- Deep House
- Loudness
- -8.1 dB
- ISRC
- GBBXG0920179
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Powder - Jimpster Remixremix3A · 125
- Powder - Henrik Schwarz Remixremix3B · 124
- Powderoriginal3B · 126
- Powder - Deep Legends Mix (Kerri Chandler Remaster)original3A · 126
- Powder - Brazil Mixoriginal10B · 128
- Powder - Dark Mixoriginal10B · 128
Against the original (3B at 126 BPM), this version holds the same tempo in the same key.
Powder - The Late Night Dub: club-tempo deep house, D♭ major (3B), 126 BPM. It reads as bright and euphoric. The mix is almost entirely instrumental. A 1999 production that still circulates in sets. More underground than 99% of Kerri Chandler's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- less groove-driven than 91% of Kerri Chandler's catalogue
- Brightness:
- brighter than 88% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Powder - The Late Night Dub in?
Powder - The Late Night Dub by Kerri Chandler is in D♭ major, or 3B on the Camelot wheel.
What BPM is Powder - The Late Night Dub?
Powder - The Late Night Dub runs at 126 BPM, a club-tempo track.
What mixes well with Powder - The Late Night Dub?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Powder - The Late Night Dub good for peak time?
With energy 80 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 126 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 80/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More deep house
More from Kerri Chandler
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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