Heal My Heart - Houseswingers Dub Affair
30s preview
- BPM
- 124
- Open Key
- 3m
- Energy
- 91/100
- Pop
- 0/100
- Length
- 6:04
- Released
- 2008
- Album
- Heal My Heart
- Genre
- Deep House
- Loudness
- -7.1 dB
- Dynamics
- 17.7 dB
- ISRC
- USA671900309
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Heal My Heart - Brokenears Extended Remixremix3B · 124
- Heal My Heart - Kaoz Original Concept Mixoriginal3B · 124
- Heal My Heart - Dark Mixoriginal11A · 124
- Heal My Heart - Marco Anzalone Extended Remix Dubremix3B · 126
- Heal My Heart - Quentin Harris Black Heart Re-Productionoriginal3B · 125
- Heal My Heart - Big Mixoriginal1B · 124
Against the original (3B at 124 BPM), this version holds the same tempo and moves the key from 3B to 10A.
At 124 BPM in B minor (10A), Heal My Heart - Houseswingers Dub Affair is a club-tempo deep house production. The groove is strong and floor-ready. The master keeps unusual dynamic range for club music (crest 18 dB). A 2008 production that still circulates in sets. More underground than 99% of Kerri Chandler's catalogue.
- Low end:
- more treble-tilted than 91% of Kerri Chandler's catalogue
- Energy:
- hotter than 86% of Kerri Chandler's catalogue
- Tempo:
- slower than 75% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Heal My Heart - Houseswingers Dub Affair in?
Heal My Heart - Houseswingers Dub Affair by Kerri Chandler is in B minor, or 10A on the Camelot wheel.
What BPM is Heal My Heart - Houseswingers Dub Affair?
Heal My Heart - Houseswingers Dub Affair runs at 124 BPM, a club-tempo track.
What mixes well with Heal My Heart - Houseswingers Dub Affair?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Heal My Heart - Houseswingers Dub Affair good for peak time?
With energy 91 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 124 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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