Second Coming
30s preview
- BPM
- 124
- Open Key
- 8d
- Energy
- 92/100
- Pop
- 0/100
- Length
- 6:45
- Released
- 2012
- Genre
- Tech House
- Loudness
- -7.3 dB
- Dynamics
- 13.0 dB
- ISRC
- GBBMQ1200161
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Second Coming is a club-tempo tech house track in D♭ major (3B) at 124 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 13 dB). A 2012 production that still circulates in sets. More underground than 99% of Mihalis Safras's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 85% of Mihalis Safras's catalogue
- Tempo:
- slower than 84% of Mihalis Safras's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Second Coming in?
Second Coming by Mihalis Safras is in D♭ major, or 3B on the Camelot wheel.
What BPM is Second Coming?
Second Coming runs at 124 BPM, a club-tempo track.
What mixes well with Second Coming?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Second Coming good for peak time?
With energy 92 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 124 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More tech house
More from Mihalis Safras
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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