Come Home - Kerri's Mmmh Mix
30s preview
- BPM
- 124
- Open Key
- 8d
- Energy
- 69/100
- Pop
- 25/100
- Length
- 6:50
- Released
- 1996
- Album
- Come Home
- Genre
- Deep House
- Loudness
- -9.8 dB
- Dynamics
- 12.2 dB
- ISRC
- USA670601782
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Come Home - Drum & Bass Raw Shit Mixoriginal3A · 124
- Come Homeoriginal3B · 125
Come Home - Kerri's Mmmh Mix runs 124 BPM in D♭ major (3B), a club-tempo deep house record. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 1996 production that still circulates in sets. Better known than 96% of Kerri Chandler's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more bass-heavy than 89% of Kerri Chandler's catalogue
- Tempo:
- slower than 75% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Come Home - Kerri's Mmmh Mix in?
Come Home - Kerri's Mmmh Mix by Kerri Chandler is in D♭ major, or 3B on the Camelot wheel.
What BPM is Come Home - Kerri's Mmmh Mix?
Come Home - Kerri's Mmmh Mix runs at 124 BPM, a club-tempo track.
What mixes well with Come Home - Kerri's Mmmh Mix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Come Home - Kerri's Mmmh Mix good for peak time?
With energy 69 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 124 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More deep house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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