Molly & Sally - Adam Ten & Mita Gami Remix
30s preview
- BPM
- 124
- Open Key
- 7d
- Energy
- 70/100
- Pop
- 29/100
- Length
- 6:00
- Released
- 2022
- Album
- Molly & Sally (Remixes)
- Genre
- House
- Loudness
- -11.4 dB
- Dynamics
- 10.2 dB
- ISRC
- DEBE72200502
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Molly & Sally - Adam Ten & Mita Gami Remix is a club-tempo house track in F♯ major (2B) at 124 BPM. Tonally it lands punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. More bass-heavy than 89% of Adam Ten's catalogue. In a set it works best as a mid-set roller.
- Reach:
- better known than 76% of Adam Ten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 4%
- High
- 2.5-11 kHz
FAQ
What key is Molly & Sally - Adam Ten & Mita Gami Remix in?
Molly & Sally - Adam Ten & Mita Gami Remix by Adam Ten is in F♯ major, or 2B on the Camelot wheel.
What BPM is Molly & Sally - Adam Ten & Mita Gami Remix?
Molly & Sally - Adam Ten & Mita Gami Remix runs at 124 BPM, a club-tempo track.
What mixes well with Molly & Sally - Adam Ten & Mita Gami Remix?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Molly & Sally - Adam Ten & Mita Gami Remix good for peak time?
With energy 70 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 124 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
