Whitey On The Moon - Soulful Mix
- BPM
- 118
- Open Key
- 8m
- Energy
- 36/100
- Pop
- 0/100
- Length
- 6:04
- Released
- 2023
- Album
- Whitey On The Moon (Remixes)
- Genre
- House
- Loudness
- -10.0 dB
- ISRC
- QZ5FN2371534
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Whitey On The Moon - Afro Mixoriginal8A · 113
- Whitey On The Moon - Deep Mixoriginal9A · 119
- Whitey On The Moon - Dub Mixversion8B · 120
- Whitey On The Moon - Kek'star's Remixremix3B · 118
- Whitey On The Moon - Progresive Mixoriginal9A · 120
At 118 BPM in B♭ minor (3A), Whitey On The Moon - Soulful Mix is a mid-tempo house production. Tonally it lands subdued and even. Rhythmically it is built for the dancefloor. It is vocal-led. Groovier than 99% of Kek'star's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Kek'star's catalogue
- Energy:
- calmer than 96% of Kek'star's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Whitey On The Moon - Soulful Mix in?
Whitey On The Moon - Soulful Mix by Kek'star is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Whitey On The Moon - Soulful Mix?
Whitey On The Moon - Soulful Mix runs at 118 BPM, a mid-tempo track.
What mixes well with Whitey On The Moon - Soulful Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Whitey On The Moon - Soulful Mix good for peak time?
With energy 36 out of 100 at 118 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 118 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 118 — beatmatch without a big tempo pull.
More house
More from Kek'star
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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