Blessed to say - Original Mix
30s preview
- Key
- 6A · G minor
- BPM
- 118
- Open Key
- 11m
- Energy
- 35/100
- Pop
- 0/100
- Length
- 5:29
- Released
- 2023
- Album
- Pusha Panda
- Genre
- House
- Loudness
- -12.1 dB
- Dynamics
- 12.5 dB
- ISRC
- QZTV32384427
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A mid-tempo house cut, Blessed to say - Original Mix sits in G minor (6A) at 118 BPM. Tonally it lands brooding and low-slung. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). More underground than 99% of Kek'star's catalogue. In a set it works best as a warm-up or breakdown cut.
- Energy:
- calmer than 96% of Kek'star's catalogue
- Groove:
- groovier than 87% of Kek'star's catalogue
- Low end:
- more bass-heavy than 84% of Kek'star's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Blessed to say - Original Mix in?
Blessed to say - Original Mix by Kek'star is in G minor, or 6A on the Camelot wheel.
What BPM is Blessed to say - Original Mix?
Blessed to say - Original Mix runs at 118 BPM, a mid-tempo track.
What mixes well with Blessed to say - Original Mix?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Blessed to say - Original Mix good for peak time?
With energy 35 out of 100 at 118 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 118 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 118 — beatmatch without a big tempo pull.
More house
More from Kek'star
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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