Outcast
- BPM
- 117
- Open Key
- 8m
- Energy
- 63/100
- Pop
- 3/100
- Length
- 7:11
- Released
- 2025
- Album
- After Life
- Genre
- House
- Loudness
- -9.6 dB
- ISRC
- GBRKQ2501624
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 117 BPM in B♭ minor (3A), Outcast is a mid-tempo house production. The feel is punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Better known than 89% of Kek'star's catalogue. In a set it works best as a mid-set roller.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Outcast in?
Outcast by Kek'star is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Outcast?
Outcast runs at 117 BPM, a mid-tempo track.
What mixes well with Outcast?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Outcast good for peak time?
With energy 63 out of 100 at 117 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 117 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 110-124 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 117 — beatmatch without a big tempo pull.
More house
More from Kek'star
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 117 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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