
Spitfire
30s preview
- BPM
- 122
- Open Key
- 9d
- Energy
- 36/100
- Pop
- 2/100
- Length
- 6:35
- Released
- 2017
- Album
- Spiritual Takeover
- Genre
- Tribal House
- Loudness
- -15.5 dB
- Dynamics
- 16.2 dB
- ISRC
- USD8A1715602
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 122 BPM in A♭ major (4B), Spitfire is a club-tempo tribal house production. Tonally it lands subdued and even. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). A 2017 production that still circulates in sets. Calmer than 95% of Karyendasoul's catalogue. In a set it works best as a warm-up or breakdown cut.
- Brightness:
- brighter than 93% of Karyendasoul's catalogue
- Low end:
- more treble-tilted than 87% of Karyendasoul's catalogue
- Groove:
- groovier than 77% of Karyendasoul's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Spitfire in?
Spitfire by Karyendasoul is in A♭ major, or 4B on the Camelot wheel.
What BPM is Spitfire?
Spitfire runs at 122 BPM, a club-tempo track.
What mixes well with Spitfire?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Spitfire good for peak time?
With energy 36 out of 100 at 122 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 122 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More tribal house
More from Karyendasoul
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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