The End Comes After Me
30s preview
- BPM
- 120
- Open Key
- 3d
- Energy
- 78/100
- Pop
- 9/100
- Length
- 7:18
- Released
- 2021
- Album
- Medha / Circadian / The End Comes After Me
- Genre
- Progressive House
- Label
- Plattenbank
- Loudness
- -8.7 dB
- Dynamics
- 11.7 dB
- ISRC
- DEY032002086
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The End Comes After Me - Radio-Editversion10B · 120
At 120 BPM in D major (10B), The End Comes After Me is a club-tempo progressive house production. It reads as bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 12 dB). Slower than 98% of Kamilo Sanclemente's catalogue. In a set it works best as a floor-filler.
- Brightness:
- brighter than 97% of Kamilo Sanclemente's catalogue
- Low end:
- more treble-tilted than 90% of Kamilo Sanclemente's catalogue
- Reach:
- better known than 84% of Kamilo Sanclemente's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is The End Comes After Me in?
The End Comes After Me by Kamilo Sanclemente is in D major, or 10B on the Camelot wheel.
What BPM is The End Comes After Me?
The End Comes After Me runs at 120 BPM, a club-tempo track.
What mixes well with The End Comes After Me?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is The End Comes After Me good for peak time?
With energy 78 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 120 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More progressive house
More from Kamilo Sanclemente
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
