The End Comes After Me - Radio-Edit
30s preview
- BPM
- 120
- Open Key
- 3d
- Energy
- 93/100
- Pop
- 4/100
- Length
- 4:12
- Released
- 2021
- Album
- Medha / Circadian / The End Comes After Me
- Genre
- Progressive House
- Label
- Plattenbank
- Loudness
- -7.6 dB
- Dynamics
- 10.1 dB
- ISRC
- DEY032102215
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The End Comes After Meoriginal10B · 120
Against the original (10B at 120 BPM), this version holds the same tempo in the same key.
The End Comes After Me - Radio-Edit: club-tempo progressive house, D major (10B), 120 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Slower than 98% of Kamilo Sanclemente's catalogue.
- Groove:
- less groove-driven than 98% of Kamilo Sanclemente's catalogue
- Brightness:
- brighter than 91% of Kamilo Sanclemente's catalogue
- Energy:
- hotter than 84% of Kamilo Sanclemente's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is The End Comes After Me - Radio-Edit in?
The End Comes After Me - Radio-Edit by Kamilo Sanclemente is in D major, or 10B on the Camelot wheel.
What BPM is The End Comes After Me - Radio-Edit?
The End Comes After Me - Radio-Edit runs at 120 BPM, a club-tempo track.
What mixes well with The End Comes After Me - Radio-Edit?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is The End Comes After Me - Radio-Edit good for peak time?
With energy 93 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 120 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More progressive house
More from Kamilo Sanclemente
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
