Many Faces (feat. Howard & Xolani Guitar)
30s preview
- BPM
- 112
- Open Key
- 4m
- Energy
- 67/100
- Pop
- 29/100
- Length
- 6:51
- Released
- 2020
- Album
- I Am The King Of Amapiano: Sweet & Dust
- Genre
- Amapiano
- Loudness
- -13.7 dB
- Dynamics
- 17.4 dB
- ISRC
- ZAC012000182
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Many facesoriginal10A · 112
Many Faces (feat. Howard & Xolani Guitar): mid-tempo amapiano, F♯ minor (11A), 112 BPM. It reads as dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). Groovier than 95% of Kabza De Small's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 94% of Kabza De Small's catalogue
- Low end:
- more treble-tilted than 91% of Kabza De Small's catalogue
- Brightness:
- darker than 77% of Kabza De Small's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Many Faces (feat. Howard & Xolani Guitar) in?
Many Faces (feat. Howard & Xolani Guitar) by Kabza De Small is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Many Faces (feat. Howard & Xolani Guitar)?
Many Faces (feat. Howard & Xolani Guitar) runs at 112 BPM, a mid-tempo track.
What mixes well with Many Faces (feat. Howard & Xolani Guitar)?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Many Faces (feat. Howard & Xolani Guitar) good for peak time?
With energy 67 out of 100 at 112 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 112 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 105-119 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 112 — beatmatch without a big tempo pull.
More amapiano
More from Kabza De Small
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 112 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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