Kwenzenjani
30s preview
- BPM
- 112
- Open Key
- 4m
- Energy
- 64/100
- Pop
- 42/100
- Length
- 7:46
- Released
- 2023
- Genre
- Amapiano
- Loudness
- -11.9 dB
- Dynamics
- 18.4 dB
- ISRC
- ZB88P2300255
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Kwenzenjani runs 112 BPM in F♯ minor (11A), a mid-tempo amapiano record. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 18 dB). Darker than 99% of Kabza De Small's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more bass-heavy than 97% of Kabza De Small's catalogue
- Tempo:
- slower than 94% of Kabza De Small's catalogue
- Reach:
- better known than 94% of Kabza De Small's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 24%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Kwenzenjani in?
Kwenzenjani by Kabza De Small is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Kwenzenjani?
Kwenzenjani runs at 112 BPM, a mid-tempo track.
What mixes well with Kwenzenjani?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Kwenzenjani good for peak time?
With energy 64 out of 100 at 112 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 112 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 105-119 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 112 — beatmatch without a big tempo pull.
More amapiano
More from Kabza De Small
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 112 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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