Trip to Zimbali
30s preview
- BPM
- 112
- Open Key
- 3d
- Energy
- 63/100
- Pop
- 2/100
- Length
- 5:48
- Released
- 2019
- Album
- The Streets Are Calling
- Genre
- African
- Loudness
- -10.4 dB
- Dynamics
- 14.1 dB
- ISRC
- QZK6Q1988951
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 112 BPM in D major (10B), Trip to Zimbali is a mid-tempo african production. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). Slower than 94% of Musa Keys's catalogue. In a set it works best as a mid-set roller.
- Reach:
- more underground than 94% of Musa Keys's catalogue
- Low end:
- more bass-heavy than 94% of Musa Keys's catalogue
- Brightness:
- darker than 92% of Musa Keys's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Trip to Zimbali in?
Trip to Zimbali by Musa Keys is in D major, or 10B on the Camelot wheel.
What BPM is Trip to Zimbali?
Trip to Zimbali runs at 112 BPM, a mid-tempo track.
What mixes well with Trip to Zimbali?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Trip to Zimbali good for peak time?
With energy 63 out of 100 at 112 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 112 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 105-119 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 112 — beatmatch without a big tempo pull.
More african
More from Musa Keys
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 112 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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