Sabotage
- Key
- 5A · C minor
- BPM
- 122
- Open Key
- 10m
- Energy
- 61/100
- Pop
- 8/100
- Length
- 7:28
- Released
- 2022
- Genre
- Progressive House
- Loudness
- -11.8 dB
- ISRC
- GBKPL2289622
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 122 BPM in C minor (5A), Sabotage is a club-tempo progressive house production. The feel is dark and driving. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Darker than 91% of Jos & Eli's catalogue.
- Reach:
- better known than 77% of Jos & Eli's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Sabotage in?
Sabotage by Jos & Eli is in C minor, or 5A on the Camelot wheel.
What BPM is Sabotage?
Sabotage runs at 122 BPM, a club-tempo track.
What mixes well with Sabotage?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Sabotage good for peak time?
With energy 61 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 122 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More progressive house
More from Jos & Eli
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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