Out Of Reach - Dub Mix
30s preview
- Key
- 8A · A minor
- BPM
- 122
- Open Key
- 1m
- Energy
- 61/100
- Pop
- 0/100
- Length
- 5:50
- Released
- 2012
- Album
- Out Of Reach
- Genre
- Progressive House
- Label
- Anjunadeep
- Loudness
- -9.2 dB
- Dynamics
- 13.0 dB
- ISRC
- GBEWA1200961
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Out of Reachoriginal8B · 123
- Out Of Reach - Alfred Taylor Remixremix8B · 122
- Out Of Reach - Andre Sobota Remixremix10B · 122
- Out Of Reach - Club Editversion8A · 122
- Out Of Reach - Radio Editversion8A · 122
- Out Of Reach (feat. Jonathan Mendelsohn)original8A · 122
Against the original (8B at 123 BPM), this version runs 1 BPM slower and moves the key from 8B to 8A.
At 122 BPM in A minor (8A), Out Of Reach - Dub Mix is a club-tempo progressive house production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2012 production that still circulates in sets. More underground than 99% of Jody Wisternoff's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more bass-heavy than 98% of Jody Wisternoff's catalogue
- Groove:
- groovier than 85% of Jody Wisternoff's catalogue
- Energy:
- calmer than 84% of Jody Wisternoff's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 6%
- High
- 2.5-11 kHz
FAQ
What key is Out Of Reach - Dub Mix in?
Out Of Reach - Dub Mix by Jody Wisternoff is in A minor, or 8A on the Camelot wheel.
What BPM is Out Of Reach - Dub Mix?
Out Of Reach - Dub Mix runs at 122 BPM, a club-tempo track.
What mixes well with Out Of Reach - Dub Mix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Out Of Reach - Dub Mix good for peak time?
With energy 61 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 122 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More progressive house
More from Jody Wisternoff
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
