Everything Connected
30s preview
- Key
- 8B · C major
- BPM
- 125
- Open Key
- 1d
- Energy
- 61/100
- Pop
- 0/100
- Length
- 10:30
- Released
- 2018
- Genre
- Ambient
- Loudness
- -9.9 dB
- Dynamics
- 14.5 dB
- ISRC
- GBCEL1800120
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Everything Connected - Stephan Hinz Remixremix9B · 130
- Everything Connectedoriginal8B · 125
Everything Connected runs 125 BPM in C major (8B), a club-tempo ambient record. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 15 dB). A 2018 production that still circulates in sets. More underground than 99% of Jon Hopkins's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- groovier than 88% of Jon Hopkins's catalogue
- Energy:
- hotter than 78% of Jon Hopkins's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Everything Connected in?
Everything Connected by Jon Hopkins is in C major, or 8B on the Camelot wheel.
What BPM is Everything Connected?
Everything Connected runs at 125 BPM, a club-tempo track.
What mixes well with Everything Connected?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Everything Connected good for peak time?
With energy 61 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 125 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More ambient
More from Jon Hopkins
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
