Arriving
- Key
- 9B · G major
- BPM
- 123
- Open Key
- 2d
- Energy
- 89/100
- Pop
- 0/100
- Length
- 4:17
- Released
- 2011
- Genre
- Techno
- Loudness
- -6.9 dB
- ISRC
- GBYNV1100008
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Arriving: club-tempo techno, G major (9B), 123 BPM. It reads as dark and driving. The mix is almost entirely instrumental. A 2011 production that still circulates in sets. More underground than 99% of Joel Mull's catalogue. In a set it works best as a mid-set roller.
- Groove:
- less groove-driven than 94% of Joel Mull's catalogue
- Tempo:
- slower than 93% of Joel Mull's catalogue
- Energy:
- hotter than 80% of Joel Mull's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Arriving in?
Arriving by Joel Mull is in G major, or 9B on the Camelot wheel.
What BPM is Arriving?
Arriving runs at 123 BPM, a club-tempo track.
What mixes well with Arriving?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Arriving good for peak time?
With energy 89 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 123 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More techno
More from Joel Mull
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
