Avenger
30s preview
- BPM
- 123
- Open Key
- 3m
- Energy
- 89/100
- Pop
- 7/100
- Length
- 4:20
- Released
- 2011
- Genre
- Techno
- Loudness
- -7.9 dB
- Dynamics
- 11.0 dB
- ISRC
- USA371614620
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Avenger (Devils Cave Mix)original10B · 126
- Avenger (Space Mutation Mix)original1B · 126
- Avenger - Joel Mull Space Mutation Mixoriginal1B · 126
- Avenger - Joel Mull Devil's Cave Mixoriginal11A · 126
At 123 BPM in B minor (10A), Avenger is a club-tempo techno production. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. The timbre leans dark. The master keeps unusual dynamic range for club music (crest 11 dB). A 2011 production that still circulates in sets. Slower than 97% of Carl Cox's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more treble-tilted than 89% of Carl Cox's catalogue
- Groove:
- less groove-driven than 81% of Carl Cox's catalogue
- Brightness:
- brighter than 77% of Carl Cox's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Avenger in?
Avenger by Carl Cox is in B minor, or 10A on the Camelot wheel.
What BPM is Avenger?
Avenger runs at 123 BPM, a club-tempo track.
What mixes well with Avenger?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Avenger good for peak time?
With energy 89 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 123 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More techno
More from Carl Cox
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
