Left to Hide by Jerome Isma-Ae cover art

Left to Hide

Jerome Isma-Ae

30s preview

Key
9B · G major
BPM
125
Open Key
2d
Energy
68/100
Pop
10/100
Length
7:31
Released
2022
Genre
Progressive House
Loudness
-8.5 dB
Dynamics
8.5 dB
ISRC
GBEWA2204443

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Left to Hide is a club-tempo progressive house track in G major (9B) at 125 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Calmer than 84% of Jerome Isma-Ae's catalogue.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy68
Mood9Dark
Groove63
Acoustic0
Instrumental91
Live6
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Left to Hide in?

Left to Hide by Jerome Isma-Ae is in G major, or 9B on the Camelot wheel.

What BPM is Left to Hide?

Left to Hide runs at 125 BPM, a club-tempo track.

What mixes well with Left to Hide?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Left to Hide good for peak time?

With energy 68 out of 100 at 125 BPM, it works best as a mid-set roller.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

#TrackKey·BPM

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 125 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

#TrackKey·BPM

More progressive house

#TrackKey·BPM

More from Jerome Isma-Ae

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.