Mtshongolo - Renato Xtravo Olukw Instrumental Mix
30s preview
- BPM
- 125
- Open Key
- 8d
- Energy
- 68/100
- Pop
- 0/100
- Length
- 7:33
- Released
- 2013
- Album
- Mtshongolo (feat. Jah Rich)
- Genre
- House
- Loudness
- -8.5 dB
- Dynamics
- 11.3 dB
- ISRC
- GB2GW0900369
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Mtshongolooriginal3B · 124
- Mtshongolo - Invaders of Afrika Mixoriginal8A · 125
- Mtshongolo - Afshin Deep Mixoriginal12A · 126
- Mtshongolo - Afshin Main Mixoriginal12A · 126
- Mtshongolo - Renato Xtravo Olukw Mixoriginal3B · 187
- Mtshongolo - Salvatore Freda Mixoriginal11A · 122
Against the original (3B at 124 BPM), this version runs 1 BPM faster in the same key.
Mtshongolo - Renato Xtravo Olukw Instrumental Mix: club-tempo house, D♭ major (3B), 125 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2013 production that still circulates in sets. More underground than 99% of Black Motion's catalogue.
- Groove:
- less groove-driven than 89% of Black Motion's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Mtshongolo - Renato Xtravo Olukw Instrumental Mix in?
Mtshongolo - Renato Xtravo Olukw Instrumental Mix by Black Motion is in D♭ major, or 3B on the Camelot wheel.
What BPM is Mtshongolo - Renato Xtravo Olukw Instrumental Mix?
Mtshongolo - Renato Xtravo Olukw Instrumental Mix runs at 125 BPM, a club-tempo track.
What mixes well with Mtshongolo - Renato Xtravo Olukw Instrumental Mix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Mtshongolo - Renato Xtravo Olukw Instrumental Mix good for peak time?
With energy 68 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 125 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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