Hold That Sucker Down - Charlotte de Witte Rave Remix by Jerome Isma-Ae cover art

Hold That Sucker Down - Charlotte de Witte Rave Remix

Jerome Isma-Ae

30s preview

Key
9B · G major
BPM
135
Open Key
2d
Energy
93/100
Pop
16/100
Length
6:45
Released
2020
Album
Hold That Sucker Down (Charlotte de Witte Remix)
Genre
Techno
Label
Armada
Loudness
-12.1 dB
Dynamics
7.7 dB
ISRC
NLF712003626

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 135 BPM in G major (9B), Hold That Sucker Down - Charlotte de Witte Rave Remix is a driving up-tempo techno production. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Faster than 98% of Jerome Isma-Ae's catalogue. In a set it works best as a peak-time weapon.

Low end:
more bass-heavy than 94% of Jerome Isma-Ae's catalogue
Reach:
better known than 84% of Jerome Isma-Ae's catalogue
Groove:
groovier than 83% of Jerome Isma-Ae's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy93
Mood12Dark
Groove77
Acoustic0
Instrumental91
Live11
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
44%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
14%
Upper-mid
570 Hz-2.5 kHz
11%
High
2.5-11 kHz

FAQ

What key is Hold That Sucker Down - Charlotte de Witte Rave Remix in?

Hold That Sucker Down - Charlotte de Witte Rave Remix by Jerome Isma-Ae is in G major, or 9B on the Camelot wheel.

What BPM is Hold That Sucker Down - Charlotte de Witte Rave Remix?

Hold That Sucker Down - Charlotte de Witte Rave Remix runs at 135 BPM, a driving up-tempo track.

What mixes well with Hold That Sucker Down - Charlotte de Witte Rave Remix?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Hold That Sucker Down - Charlotte de Witte Rave Remix good for peak time?

With energy 93 out of 100 at 135 BPM, it works best as a peak-time weapon.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

#TrackKey·BPM

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 135 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 93/100).

Similar tempo

Within ±3 BPM of 135 — beatmatch without a big tempo pull.

#TrackKey·BPM

More techno

#TrackKey·BPM

More from Jerome Isma-Ae

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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