Same Mistake
- BPM
- 124
- Open Key
- 4d
- Energy
- 44/100
- Pop
- 27/100
- Length
- 3:58
- Released
- 2016
- Genre
- House
- Label
- Armada
- Loudness
- -11.4 dB
- ISRC
- NLF711600265
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Same Mistake - But Different Remixremix11B · 121
- Same Mistake - Räuber Club Remixremix11A · 124
- Same Mistake - Räuber Remixremix11A · 62
Same Mistake runs 124 BPM in A major (11B), a club-tempo house record. It reads as balanced in mood. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. Groovier than 90% of Jan Blomqvist's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Energy:
- calmer than 88% of Jan Blomqvist's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Same Mistake in?
Same Mistake by Jan Blomqvist is in A major, or 11B on the Camelot wheel.
What BPM is Same Mistake?
Same Mistake runs at 124 BPM, a club-tempo track.
What mixes well with Same Mistake?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Same Mistake good for peak time?
With energy 44 out of 100 at 124 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 124 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More house
More from Jan Blomqvist
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
