A Bridge Over Novocaine - Tim Schaufert Remix
30s preview
- Key
- 7A · D minor
- BPM
- 116
- Open Key
- 12m
- Energy
- 64/100
- Pop
- 14/100
- Length
- 3:33
- Released
- 2019
- Album
- A Bridge Over Novocaine (Tim Schaufert Remix)
- Genre
- Downtempo
- Loudness
- -11.2 dB
- Dynamics
- 10.9 dB
- ISRC
- NLF711900153
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- A Bridge Over Novocaine (extended mix)version6A · 116
- A Bridge Over Novocaineoriginal8A · 116
Against the original (8A at 116 BPM), this version holds the same tempo and moves the key from 8A to 7A.
A Bridge Over Novocaine - Tim Schaufert Remix runs 116 BPM in D minor (7A), a mid-tempo downtempo record. The feel is punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Slower than 91% of Jan Blomqvist's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- brighter than 86% of Jan Blomqvist's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is A Bridge Over Novocaine - Tim Schaufert Remix in?
A Bridge Over Novocaine - Tim Schaufert Remix by Jan Blomqvist is in D minor, or 7A on the Camelot wheel.
What BPM is A Bridge Over Novocaine - Tim Schaufert Remix?
A Bridge Over Novocaine - Tim Schaufert Remix runs at 116 BPM, a mid-tempo track.
What mixes well with A Bridge Over Novocaine - Tim Schaufert Remix?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is A Bridge Over Novocaine - Tim Schaufert Remix good for peak time?
With energy 64 out of 100 at 116 BPM, it works best as a mid-set roller.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
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How to mix it
In 7A at 116 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 109-123 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 116 — beatmatch without a big tempo pull.
More downtempo
More from Jan Blomqvist
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 116 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
