HRSN - Because of Art Revisit
30s preview
- Key
- 6A · G minor
- BPM
- 164
- Half-time
- 82
- Open Key
- 11m
- Energy
- 47/100
- Pop
- 19/100
- Length
- 4:04
- Released
- 2025
- Album
- HRSN (Because of Art Revisit)
- Genre
- Ambient
- Label
- Anjunachill
- Loudness
- -12.7 dB
- Dynamics
- 11.0 dB
- ISRC
- GBEWA2502011
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- HRSNoriginal6A · 124
- HRSN - Because of Art Extended Revisitversion6A · 162
HRSN - Because of Art Revisit is a very fast ambient track in G minor (6A) at 164 BPM. The feel is dark and steady. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). Faster than 97% of James Grant's catalogue. For programming, treat it as a high-intensity peak cut.
- Brightness:
- darker than 97% of James Grant's catalogue
- Groove:
- less groove-driven than 96% of James Grant's catalogue
- Energy:
- calmer than 85% of James Grant's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 7%
- High
- 2.5-11 kHz
FAQ
What key is HRSN - Because of Art Revisit in?
HRSN - Because of Art Revisit by James Grant is in G minor, or 6A on the Camelot wheel.
What BPM is HRSN - Because of Art Revisit?
HRSN - Because of Art Revisit runs at 164 BPM, a very fast track.
What mixes well with HRSN - Because of Art Revisit?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is HRSN - Because of Art Revisit good for peak time?
With energy 47 out of 100 at 164 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 164 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 154-174 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 164 — beatmatch without a big tempo pull.
More ambient
More from James Grant
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 164 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
