Ride This Train (feat. Aniff Akinola) - Icarus Basement Mix by Icarus cover art

Ride This Train (feat. Aniff Akinola) - Icarus Basement Mix

Icarus

30s preview

Key
3A · B♭ minor
BPM
124
Open Key
8m
Energy
79/100
Pop
6/100
Length
6:43
Released
2015
Album
Ride This Train (feat. Aniff Akinola) [Icarus Basement Mix]
Genre
Synth Pop
Loudness
-6.8 dB
Dynamics
12.8 dB
ISRC
GBAYE1500938

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

At 124 BPM in B♭ minor (3A), Ride This Train (feat. Aniff Akinola) - Icarus Basement Mix is a club-tempo synth pop production. It reads as dark and driving. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 13 dB). A 2015 production that still circulates in sets. Calmer than 77% of Icarus's catalogue. In a set it works best as a peak-time weapon.

Tempo:
slower than 77% of Icarus's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy79
Mood28Dark
Groove69
Acoustic26
Instrumental94
Live8
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
32%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Ride This Train (feat. Aniff Akinola) - Icarus Basement Mix in?

Ride This Train (feat. Aniff Akinola) - Icarus Basement Mix by Icarus is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Ride This Train (feat. Aniff Akinola) - Icarus Basement Mix?

Ride This Train (feat. Aniff Akinola) - Icarus Basement Mix runs at 124 BPM, a club-tempo track.

What mixes well with Ride This Train (feat. Aniff Akinola) - Icarus Basement Mix?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Ride This Train (feat. Aniff Akinola) - Icarus Basement Mix good for peak time?

With energy 79 out of 100 at 124 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 124 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 79/100).

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

More synth pop

More from Icarus

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track