SHADOWS
30s preview
- BPM
- 143
- Half-time
- 72
- Open Key
- 5d
- Energy
- 66/100
- Pop
- 6/100
- Length
- 2:45
- Released
- 2023
- Genre
- Techno
- Loudness
- -12.9 dB
- Dynamics
- 15.4 dB
- ISRC
- DGA062332775
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
SHADOWS runs 143 BPM in E major (12B), a driving up-tempo techno record. Tonally it lands dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). Faster than 90% of Héctor Oaks's catalogue. For programming, treat it as a high-intensity peak cut.
- Low end:
- more treble-tilted than 82% of Héctor Oaks's catalogue
- Energy:
- calmer than 80% of Héctor Oaks's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is SHADOWS in?
SHADOWS by Héctor Oaks is in E major, or 12B on the Camelot wheel.
What BPM is SHADOWS?
SHADOWS runs at 143 BPM, a driving up-tempo track.
What mixes well with SHADOWS?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is SHADOWS good for peak time?
With energy 66 out of 100 at 143 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 143 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 134-152 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 143 — beatmatch without a big tempo pull.
More techno
More from Héctor Oaks
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 143 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
