Horoom Reclusion - Zesknel Remix
30s preview
- BPM
- 138
- Open Key
- 8m
- Energy
- 89/100
- Pop
- 5/100
- Length
- 6:11
- Released
- 2020
- Album
- As We Were Saying Remixed
- Genre
- Techno
- Label
- Bassiani
- Loudness
- -9.2 dB
- Dynamics
- 9.5 dB
- ISRC
- DEU672000874
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Horoom Reclusionoriginal3A · 141
Against the original (3A at 141 BPM), this version runs 3 BPM slower in the same key.
A driving up-tempo techno cut, Horoom Reclusion - Zesknel Remix sits in B♭ minor (3A) at 138 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More bass-heavy than 96% of Héctor Oaks's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- faster than 76% of Héctor Oaks's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 49%
- Low
- 30-130 Hz
- 35%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 1%
- High
- 2.5-11 kHz
FAQ
What key is Horoom Reclusion - Zesknel Remix in?
Horoom Reclusion - Zesknel Remix by Héctor Oaks is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Horoom Reclusion - Zesknel Remix?
Horoom Reclusion - Zesknel Remix runs at 138 BPM, a driving up-tempo track.
What mixes well with Horoom Reclusion - Zesknel Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Horoom Reclusion - Zesknel Remix good for peak time?
With energy 89 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 138 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 89/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
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