Mrs. Pride by Gui Boratto cover art

Mrs. Pride

Gui Boratto

30s preview

Key
4B · A♭ major
BPM
122
Open Key
9d
Energy
42/100
Pop
20/100
Length
1:49
Released
2024
Genre
Downtempo
Label
D.O.C.
Loudness
-11.7 dB
Dynamics
13.0 dB
ISRC
BXD2C2400010

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Mrs. Pride: club-tempo downtempo, A♭ major (4B), 122 BPM. Tonally it lands dark and steady. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). Calmer than 90% of Gui Boratto's catalogue. For programming, treat it as a warm-up or breakdown cut.

Groove:
less groove-driven than 89% of Gui Boratto's catalogue
Reach:
better known than 86% of Gui Boratto's catalogue
Tempo:
slower than 78% of Gui Boratto's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy42
Mood19Dark
Groove60
Acoustic39
Instrumental59
Live12
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is Mrs. Pride in?

Mrs. Pride by Gui Boratto is in A♭ major, or 4B on the Camelot wheel.

What BPM is Mrs. Pride?

Mrs. Pride runs at 122 BPM, a club-tempo track.

What mixes well with Mrs. Pride?

From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.

Is Mrs. Pride good for peak time?

With energy 42 out of 100 at 122 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

4B3B · 5B · 4A

From 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.

Every move from 4B

5BSimple Mix Upper
3BSimple Mix Downer
4ATonal Shift·
5ADiagonal Mix Upper
3ADiagonal Mix Downer
7ACompatible Tone·
6BHigh Energy Boost▲▲▲
2BHigh Energy Drain▼▼▼
7BParallel Key Upper▲▲
1BParallel Key Downer▼▼
11BTritone Jump▲▲
8BRelated Keyrisky

How to mix it

In 4B at 122 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.

Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 122 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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