Taking Over Me
- BPM
- 113
- Open Key
- 6m
- Energy
- 78/100
- Pop
- 11/100
- Length
- 5:03
- Released
- 2022
- Genre
- Deep House
- Loudness
- -7.2 dB
- ISRC
- GBEWA2202412
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 113 BPM in A♭ minor (1A), Taking Over Me is a mid-tempo deep house production. It is vocal-led. Less groove-driven than 98% of Grum's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 96% of Grum's catalogue
- Brightness:
- darker than 94% of Grum's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Taking Over Me in?
Taking Over Me by Grum is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Taking Over Me?
Taking Over Me runs at 113 BPM, a mid-tempo track.
What mixes well with Taking Over Me?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Taking Over Me good for peak time?
With energy 78 out of 100 at 113 BPM, it works best as a mid-set roller.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 113 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 106-120 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 113 — beatmatch without a big tempo pull.
More deep house
More from Grum
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 113 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
