You Have It All (Radio Edit)
30s preview
- BPM
- 130
- Open Key
- 8m
- Energy
- 87/100
- Pop
- 1/100
- Length
- 7:01
- Released
- 2015
- Genre
- Progressive Trance
- Loudness
- -5.2 dB
- Dynamics
- 10.0 dB
- ISRC
- NLF711503507
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
You Have It All (Radio Edit) is a peak-time tempo progressive trance track in B♭ minor (3A) at 130 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2015 production that still circulates in sets. More underground than 82% of Genix's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more bass-heavy than 75% of Genix's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is You Have It All (Radio Edit) in?
You Have It All (Radio Edit) by Genix is in B♭ minor, or 3A on the Camelot wheel.
What BPM is You Have It All (Radio Edit)?
You Have It All (Radio Edit) runs at 130 BPM, a peak-time tempo track.
What mixes well with You Have It All (Radio Edit)?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is You Have It All (Radio Edit) good for peak time?
With energy 87 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
![Lie Down In Darkness [Mix Cut] - Paul van Dyk Original Mix by Paul van Dyk cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/5e389a0e278d62dcf488.webp){kind=small}
![All Your Colours [Mix Cut] - Andrew Rayel Remix by Kyau & Albert cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/412b33566c0006aa6846.webp){kind=small}
How to mix it
In 3A at 130 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 87/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More progressive trance
![Slowmotion III [Mix Cut] by Solarstone cover art](https://i.scdn.co/image/ab67616d00001e02f38a6821eebea9c8f40aa7ec){kind=small}
More from Genix
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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