Confession by Gene Farris cover art

Confession

Gene Farris

Key
10A · B minor
BPM
131
Open Key
3m
Energy
66/100
Pop
5/100
Length
6:24
Released
2000
Genre
House
Loudness
-8.4 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Confession runs 131 BPM in B minor (10A), a peak-time tempo house record. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. A 2000 production that still circulates in sets. Faster than 95% of Gene Farris's catalogue. For programming, treat it as a mid-set roller.

Groove:
less groove-driven than 92% of Gene Farris's catalogue
Energy:
calmer than 82% of Gene Farris's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy66
Mood36Balanced
Groove68
Acoustic0
Instrumental82
Live2
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Confession in?

Confession by Gene Farris is in B minor, or 10A on the Camelot wheel.

What BPM is Confession?

Confession runs at 131 BPM, a peak-time tempo track.

What mixes well with Confession?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Confession good for peak time?

With energy 66 out of 100 at 131 BPM, it works best as a mid-set roller.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#TrackKey·BPM

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 131 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 123-139 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 131 — beatmatch without a big tempo pull.

#TrackKey·BPM

More house

More from Gene Farris

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 131 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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