Two Ninety One - Chris Liebing Edit
30s preview
- BPM
- 126
- Open Key
- 3d
- Energy
- 51/100
- Pop
- 6/100
- Length
- 10:13
- Released
- 2010
- Album
- Mi Estudio / Two Ninety One
- Genre
- Techno
- Label
- CLR
- Loudness
- -12.0 dB
- Dynamics
- 8.2 dB
- ISRC
- DECY51067303
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Two Ninety Oneoriginal10A · 129
Against the original (10A at 129 BPM), this version runs 3 BPM slower and moves the key from 10A to 10B.
At 126 BPM in D major (10B), Two Ninety One - Chris Liebing Edit is a club-tempo techno production. The feel is dark and steady. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2010 production that still circulates in sets. More bass-heavy than 97% of Function's catalogue. In a set it works best as a mid-set roller.
- Groove:
- groovier than 87% of Function's catalogue
- Brightness:
- darker than 85% of Function's catalogue
- Energy:
- calmer than 77% of Function's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 60%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 8%
- Upper-mid
- 570 Hz-2.5 kHz
- 0%
- High
- 2.5-11 kHz
FAQ
What key is Two Ninety One - Chris Liebing Edit in?
Two Ninety One - Chris Liebing Edit by Function is in D major, or 10B on the Camelot wheel.
What BPM is Two Ninety One - Chris Liebing Edit?
Two Ninety One - Chris Liebing Edit runs at 126 BPM, a club-tempo track.
What mixes well with Two Ninety One - Chris Liebing Edit?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Two Ninety One - Chris Liebing Edit good for peak time?
With energy 51 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 126 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More techno
More from Function
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
