Last Heroes (Terence Fixmer’s Dark Tool)
30s preview
- Key
- 7B · F major
- BPM
- 126
- Open Key
- 12d
- Energy
- 50/100
- Pop
- 0/100
- Length
- 4:40
- Released
- 2010
- Genre
- Techno
- Loudness
- -12.0 dB
- Dynamics
- 9.6 dB
- ISRC
- NLFC80800089
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 126 BPM in F major (7B), Last Heroes (Terence Fixmer’s Dark Tool) is a club-tempo techno production. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2010 production that still circulates in sets. More underground than 99% of Terence Fixmer's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more bass-heavy than 90% of Terence Fixmer's catalogue
- Energy:
- calmer than 88% of Terence Fixmer's catalogue
- Groove:
- groovier than 84% of Terence Fixmer's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 47%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 5%
- High
- 2.5-11 kHz
FAQ
What key is Last Heroes (Terence Fixmer’s Dark Tool) in?
Last Heroes (Terence Fixmer’s Dark Tool) by Terence Fixmer is in F major, or 7B on the Camelot wheel.
What BPM is Last Heroes (Terence Fixmer’s Dark Tool)?
Last Heroes (Terence Fixmer’s Dark Tool) runs at 126 BPM, a club-tempo track.
What mixes well with Last Heroes (Terence Fixmer’s Dark Tool)?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is Last Heroes (Terence Fixmer’s Dark Tool) good for peak time?
With energy 50 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 126 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More techno
More from Terence Fixmer
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
