Miranda by Marc Romboy cover art
Key
4A · F minor
BPM
125
Open Key
9m
Energy
51/100
Pop
17/100
Length
8:29
Released
2005
Genre
Techno
Label
Systematic
Loudness
-12.7 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Miranda runs 125 BPM in F minor (4A), a club-tempo techno record. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2005 production that still circulates in sets. Better known than 90% of Marc Romboy's catalogue. For programming, treat it as a mid-set roller.

Groove:
groovier than 79% of Marc Romboy's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy51
Mood15Dark
Groove81
Acoustic0
Instrumental94
Live10
Speech8
darkrelaxedinstrumental

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Miranda in?

Miranda by Marc Romboy is in F minor, or 4A on the Camelot wheel.

What BPM is Miranda?

Miranda runs at 125 BPM, a club-tempo track.

What mixes well with Miranda?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Miranda good for peak time?

With energy 51 out of 100 at 125 BPM, it works best as a mid-set roller.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 125 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

#Track

More techno

More from Marc Romboy

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track