You Don't Know
30s preview
- Key
- 8A · A minor
- BPM
- 130
- Open Key
- 1m
- Energy
- 95/100
- Pop
- 29/100
- Length
- 3:19
- Released
- 2020
- Genre
- Breaks
- Label
- Ministry Of Sound Recordings
- Loudness
- -4.2 dB
- Dynamics
- 11.0 dB
- ISRC
- GBCEN2000085
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
You Don't Know runs 130 BPM in A minor (8A), a peak-time tempo breaks record. The feel is dark and driving. It leans atmospheric over strictly danceable. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). Less groove-driven than 99% of Franky Wah's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- faster than 91% of Franky Wah's catalogue
- Energy:
- hotter than 89% of Franky Wah's catalogue
- Reach:
- better known than 87% of Franky Wah's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is You Don't Know in?
You Don't Know by Franky Wah is in A minor, or 8A on the Camelot wheel.
What BPM is You Don't Know?
You Don't Know runs at 130 BPM, a peak-time tempo track.
What mixes well with You Don't Know?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is You Don't Know good for peak time?
With energy 95 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 130 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More breaks
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
