Where's Your Head At (Radio Edit)
30s preview
- Key
- 8B · C major
- BPM
- 128
- Open Key
- 1d
- Energy
- 92/100
- Pop
- 0/100
- Length
- 4:01
- Released
- 2001
- Album
- Where's Your Head At
- Genre
- House
- Loudness
- -5.2 dB
- Dynamics
- 11.0 dB
- ISRC
- GBBKS0100407
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Where’s Your Head At - 1991 Remixremix8B · 174
- Where's Your Head At - Martin Ikin Remix - Editremix6B · 128
- Where's Your Head At - Cheyenne Giles Remixremix10B · 126
- Where's Your Head At - Wh0 Festival Remix - Editremix8B · 126
- Where's Your Head At - Live at Margaret Court Arena, Melbourneoriginal8B · 127
- Where's Your Head At - Martin Ikin Headstrumentaloriginal3B · 128
Against the original (3B at 128 BPM), this version holds the same tempo and moves the key from 3B to 8B.
Where's Your Head At (Radio Edit) runs 128 BPM in C major (8B), a peak-time tempo house record. Tonally it lands punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2001 production that still circulates in sets. More underground than 99% of Basement Jaxx's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 83% of Basement Jaxx's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Where's Your Head At (Radio Edit) in?
Where's Your Head At (Radio Edit) by Basement Jaxx is in C major, or 8B on the Camelot wheel.
What BPM is Where's Your Head At (Radio Edit)?
Where's Your Head At (Radio Edit) runs at 128 BPM, a peak-time tempo track.
What mixes well with Where's Your Head At (Radio Edit)?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Where's Your Head At (Radio Edit) good for peak time?
With energy 92 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 128 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Basement Jaxx
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
