Get on My Level by Franky Wah cover art

Get on My Level

Franky Wah

30s preview

Key
7A · D minor
BPM
130
Open Key
12m
Energy
80/100
Pop
33/100
Length
3:47
Released
2026
Genre
House
Label
Last Night On Earth
Loudness
-10.2 dB
Dynamics
16.2 dB
ISRC
QM6N22646157

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Get on My Level: peak-time tempo house, D minor (7A), 130 BPM. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). Brighter than 93% of Franky Wah's catalogue. In a set it works best as a peak-time weapon.

Reach:
better known than 92% of Franky Wah's catalogue
Tempo:
faster than 91% of Franky Wah's catalogue
Low end:
more treble-tilted than 88% of Franky Wah's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy80
Mood82Bright
Groove73
Acoustic0
Instrumental73
Live24
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
28%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
20%
High
2.5-11 kHz

FAQ

What key is Get on My Level in?

Get on My Level by Franky Wah is in D minor, or 7A on the Camelot wheel.

What BPM is Get on My Level?

Get on My Level runs at 130 BPM, a peak-time tempo track.

What mixes well with Get on My Level?

From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.

Is Get on My Level good for peak time?

With energy 80 out of 100 at 130 BPM, it works best as a peak-time weapon.

Mixes harmonically

7A6A · 8A · 7B

From 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.

Every move from 7A

8ASimple Mix Upper
6ASimple Mix Downer
7BTonal Shift·
8BDiagonal Mix Upper
6BDiagonal Mix Downer
4BCompatible Tone·
9AHigh Energy Boost▲▲▲
5AHigh Energy Drain▼▼▼
10AParallel Key Upper▲▲
4AParallel Key Downer▼▼
2ATritone Jump▲▲
11ARelated Keyrisky

How to mix it

In 7A at 130 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.

Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 80/100).

Similar tempo

Within ±3 BPM of 130 — beatmatch without a big tempo pull.

More house

More from Franky Wah

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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