It's A Killa - Shermanology Edit
30s preview
- BPM
- 127
- Open Key
- 3m
- Energy
- 59/100
- Pop
- 47/100
- Length
- 3:41
- Released
- 2022
- Album
- It's A Killa (Shermanology Edit)
- Genre
- Tech House
- Label
- D'Eaupe
- Loudness
- -7.8 dB
- Dynamics
- 10.0 dB
- ISRC
- GBKQU2229289
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- It's A Killaoriginal9B · 126
Against the original (9B at 126 BPM), this version runs 1 BPM faster and moves the key from 9B to 10A.
At 127 BPM in B minor (10A), It's A Killa - Shermanology Edit is a peak-time tempo tech house production. The feel is bright and easy. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Groovier than 94% of Fisher's catalogue. In a set it works best as a mid-set roller.
- Reach:
- better known than 83% of Fisher's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is It's A Killa - Shermanology Edit in?
It's A Killa - Shermanology Edit by Fisher is in B minor, or 10A on the Camelot wheel.
What BPM is It's A Killa - Shermanology Edit?
It's A Killa - Shermanology Edit runs at 127 BPM, a peak-time tempo track.
What mixes well with It's A Killa - Shermanology Edit?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is It's A Killa - Shermanology Edit good for peak time?
With energy 59 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 127 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More tech house
More from Fisher
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
