Camber Sands
30s preview
- BPM
- 123
- Open Key
- 4m
- Energy
- 53/100
- Pop
- 0/100
- Length
- 6:04
- Released
- 2000
- Genre
- House
- Label
- Astralwerks
- Loudness
- -10.3 dB
- Dynamics
- 11.3 dB
- ISRC
- GBBMQ0000153
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Camber Sands: club-tempo house, F♯ minor (11A), 123 BPM. Tonally it lands dark and steady. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). A 2000 production that still circulates in sets. More underground than 99% of Fatboy Slim's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 91% of Fatboy Slim's catalogue
- Low end:
- more bass-heavy than 91% of Fatboy Slim's catalogue
- Groove:
- less groove-driven than 87% of Fatboy Slim's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 7%
- High
- 2.5-11 kHz
FAQ
What key is Camber Sands in?
Camber Sands by Fatboy Slim is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Camber Sands?
Camber Sands runs at 123 BPM, a club-tempo track.
What mixes well with Camber Sands?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Camber Sands good for peak time?
With energy 53 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
![Between the Lines (Pablo Einzig Remix) [feat. Jan-Friedrich Conrad] by Just Emma cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/6c91f45a390a9a1e1732.webp){kind=small}
How to mix it
In 11A at 123 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Fatboy Slim
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
