Soldissimo
- Key
- 5A · C minor
- BPM
- 95
- Double-time
- 190
- Open Key
- 10m
- Energy
- 36/100
- Pop
- 0/100
- Length
- 8:13
- Released
- 1997
- Album
- Super Discount 10" Vol. 1
- Genre
- Downtempo
- Loudness
- -10.9 dB
- ISRC
- FRU980700017
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Soldissimo - EDC Remixremix5A · 95
Soldissimo is a slow-groove tempo downtempo track in C minor (5A) at 95 BPM. The feel is subdued and even. The master keeps real dynamic headroom. A 1997 production that still circulates in sets. More underground than 99% of Étienne de Crécy's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Energy:
- calmer than 95% of Étienne de Crécy's catalogue
- Tempo:
- slower than 93% of Étienne de Crécy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Soldissimo in?
Soldissimo by Étienne de Crécy is in C minor, or 5A on the Camelot wheel.
What BPM is Soldissimo?
Soldissimo runs at 95 BPM, a slow-groove tempo track.
What mixes well with Soldissimo?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Soldissimo good for peak time?
With energy 36 out of 100 at 95 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 95 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 89-101 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 95 — beatmatch without a big tempo pull.
More downtempo
More from Étienne de Crécy
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 95 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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