Affaires à faire
- Key
- 5A · C minor
- BPM
- 89
- Double-time
- 178
- Open Key
- 10m
- Energy
- 59/100
- Pop
- 0/100
- Length
- 5:47
- Released
- 1998
- Album
- Super Discount
- Genre
- Downtempo
- Loudness
- -11.2 dB
- ISRC
- FRR909600010
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Affaires À Faireoriginal5A · 89
A downtempo downtempo cut, Affaires à faire sits in C minor (5A) at 89 BPM. It is vocal-led. The master keeps real dynamic headroom. A 1998 production that still circulates in sets. More underground than 99% of Étienne de Crécy's catalogue. In a set it works best as an opener or closing-set piece.
- Tempo:
- slower than 98% of Étienne de Crécy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Affaires à faire in?
Affaires à faire by Étienne de Crécy is in C minor, or 5A on the Camelot wheel.
What BPM is Affaires à faire?
Affaires à faire runs at 89 BPM, a downtempo track.
What mixes well with Affaires à faire?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Affaires à faire good for peak time?
With energy 59 out of 100 at 89 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 89 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 84-94 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 89 — beatmatch without a big tempo pull.
More downtempo
More from Étienne de Crécy
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 89 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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