
Your Body Is My Body (Troy Pierce Sharing Is Caring mix)
30s preview
- BPM
- 128
- Open Key
- 9d
- Energy
- 67/100
- Pop
- 14/100
- Length
- 5:19
- Released
- 2005
- Genre
- Techno
- Loudness
- -9.8 dB
- Dynamics
- 14.0 dB
- ISRC
- DEAE60500464
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Your Body Is My Body (Troy Pierce Sharing Is Caring mix) runs 128 BPM in A♭ major (4B), a peak-time tempo techno record. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2005 production that still circulates in sets. Better known than 90% of Ellen Allien's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- less groove-driven than 80% of Ellen Allien's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Your Body Is My Body (Troy Pierce Sharing Is Caring mix) in?
Your Body Is My Body (Troy Pierce Sharing Is Caring mix) by Ellen Allien is in A♭ major, or 4B on the Camelot wheel.
What BPM is Your Body Is My Body (Troy Pierce Sharing Is Caring mix)?
Your Body Is My Body (Troy Pierce Sharing Is Caring mix) runs at 128 BPM, a peak-time tempo track.
What mixes well with Your Body Is My Body (Troy Pierce Sharing Is Caring mix)?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Your Body Is My Body (Troy Pierce Sharing Is Caring mix) good for peak time?
With energy 67 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 128 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Ellen Allien
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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