Your Body Is My Body (Troy Pierce Sharing Is Caring mix) by Ellen Allien cover art

Your Body Is My Body (Troy Pierce Sharing Is Caring mix)

Ellen Allien

30s preview

Key
4B · A♭ major
BPM
128
Open Key
9d
Energy
67/100
Pop
14/100
Length
5:19
Released
2005
Genre
Techno
Loudness
-9.8 dB
Dynamics
14.0 dB
ISRC
DEAE60500464

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Your Body Is My Body (Troy Pierce Sharing Is Caring mix) runs 128 BPM in A♭ major (4B), a peak-time tempo techno record. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2005 production that still circulates in sets. Better known than 90% of Ellen Allien's catalogue. For programming, treat it as a mid-set roller.

Groove:
less groove-driven than 80% of Ellen Allien's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy67
Mood48Balanced
Groove59
Acoustic1
Instrumental92
Live13
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is Your Body Is My Body (Troy Pierce Sharing Is Caring mix) in?

Your Body Is My Body (Troy Pierce Sharing Is Caring mix) by Ellen Allien is in A♭ major, or 4B on the Camelot wheel.

What BPM is Your Body Is My Body (Troy Pierce Sharing Is Caring mix)?

Your Body Is My Body (Troy Pierce Sharing Is Caring mix) runs at 128 BPM, a peak-time tempo track.

What mixes well with Your Body Is My Body (Troy Pierce Sharing Is Caring mix)?

From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.

Is Your Body Is My Body (Troy Pierce Sharing Is Caring mix) good for peak time?

With energy 67 out of 100 at 128 BPM, it works best as a mid-set roller.

Mixes harmonically

4B3B · 5B · 4A

From 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.

Every move from 4B

5BSimple Mix Upper
3BSimple Mix Downer
4ATonal Shift·
5ADiagonal Mix Upper
3ADiagonal Mix Downer
7ACompatible Tone·
6BHigh Energy Boost▲▲▲
2BHigh Energy Drain▼▼▼
7BParallel Key Upper▲▲
1BParallel Key Downer▼▼
11BTritone Jump▲▲
8BRelated Keyrisky

How to mix it

In 4B at 128 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

#TrackKey·BPM

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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