Stadtkind
30s preview
- BPM
- 124
- Open Key
- 7m
- Energy
- 58/100
- Pop
- 3/100
- Length
- 7:13
- Released
- 2001
- Genre
- Techno
- Loudness
- -10.1 dB
- Dynamics
- 16.8 dB
- ISRC
- DEAE60100121
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Stadtkind: club-tempo techno, E♭ minor (2A), 124 BPM. It reads as dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). A 2001 production that still circulates in sets. Groovier than 93% of Ellen Allien's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 85% of Ellen Allien's catalogue
- Low end:
- more treble-tilted than 83% of Ellen Allien's catalogue
- Brightness:
- darker than 77% of Ellen Allien's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Stadtkind in?
Stadtkind by Ellen Allien is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Stadtkind?
Stadtkind runs at 124 BPM, a club-tempo track.
What mixes well with Stadtkind?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Stadtkind good for peak time?
With energy 58 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 124 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More techno
More from Ellen Allien
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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